Paul Hamilton, a Bessie-nominated dancer, began his training in Jamaica at the Jamaica School of Dance. After relocating to the United States, he continued his studies at SUNY Purchase under Kevin Wynn and Neil Greenberg. His dance repertoire includes performances with Elizabeth Streb, The Martha Graham Dance Ensemble, and The Barnspace Dance Company. In 2000, Paul embarked on a long-standing collaboration with Reggie Wilson Fist and Heel Performance Group, resulting in acclaimed works like Black Burlesque (revisited) and the Bessie-winning Big Brick. His thirst for knowledge led him to choreographer Keely Garfield, resulting in captivating pieces such as Scent of Mental Love and Telling the Bees. A pivotal moment arrived in 2014 when Paul teamed up with artist Ralph Lemon to create Chorus, an integral part of the Scaffold Room performance at the Kitchen NYC. His outstanding contributions earned him a Bessie nomination. Paul’s journey continued with performances in Bessie-winning productions, including Jane Comfort’s 40th Anniversary Retrospective and David Thomson’s He his own mythical beast. Notably, he restaged Bruce Nauman’s Wall Floor Position at the Museum of Modern Art. Currently, Paul thrives in original works by Melinda Ring, Neil Greenberg, and Susan Marshall. He is currently a Movement Research Artist in Residence, his choreographic work has been presented at Performa Biennial 2021 in collaboration with artist Kevin Beasley, and at Judson Church NYC.